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Sennelier Dry Pigment Ultramarine light
Pigment number: 312
Amount in can: 60g
Pigment: PB29
Lightfastness: Very good lightfastness
Transparency: Transparent
Serie: 2 (B)
Kiselaluminat av natriumpolysulfider. År 1828 återgav kemisten Guillemet syntetiskt den naturliga färgen hos Lapis Lazuli, som hade använts sedan antiken. Variationer i nyansen beror på storleken på dess mikropartiklar. Framställningen av ultramarinblått är ganska komplex och varierar beroende på den önskade individuella nyansen. Lysande, intensivt blått som närmar sig utseendet av koboltblått och ger ljusa, behagliga effekter i skuggning. Blandar bra med andra pigment, men eftersom det innehåller svavel bör det inte blandas med flake White eller krombaserade pigment. Lämplig för alla tekniker.
Silico aluminate of sodium polysulfides. In 1828, the chemist Guillemet synthetically reproduced the natural colour of Lapis Lazuli, which had been in use since antiquity. Variations in the hue result from the size of its microparticles. The preparation of ultramarine blue is quite complex, and varies according to the desired individual shade. Luminous, intense blue that approaches the appearance of cobalt blue, and provides bright, pleasant effects in shading. Mixes well with other pigments, but, since it contains sulfur, should not be mixed with flake White or chrome based pigments. Suitable for all techniques.
Silico aluminate of sodium polysulfides. In 1828, the chemist Guillemet synthetically reproduced the natural colour of Lapis Lazuli, which had been in use since antiquity. Variations in the hue result from the size of its microparticles. The preparation of ultramarine blue is quite complex, and varies according to the desired individual shade. Luminous, intense blue that approaches the appearance of cobalt blue, and provides bright, pleasant effects in shading. Mixes well with other pigments, but, since it contains sulfur, should not be mixed with flake White or chrome based pigments. Suitable for all techniques.